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{"id":42424,"date":"2013-01-25T19:20:59","date_gmt":"2013-01-25T19:20:59","guid":{"rendered":"http:\/\/www.jordanorlando.com\/ns\/?p=42424"},"modified":"2013-01-27T08:25:09","modified_gmt":"2013-01-27T08:25:09","slug":"yet-another-reason-i-cant-stand-john-updike","status":"publish","type":"post","link":"http:\/\/www.jordanorlando.com\/ns\/yet-another-reason-i-cant-stand-john-updike\/","title":{"rendered":"Yet Another Reason I Can&#8217;t Stand John Updike"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"Updike by Levine\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/4\/47\/Updikenyrb.gif\/250px-Updikenyrb.gif\" class=\"alignnone\" width=\"250\" height=\"303\" \/><br \/>\nReading Michael Tomasky&#8217;s new piece on Obama in the February 7 <i>New York Review of Books<\/i>, I noticed what I assumed to be a particularly good David Levine caricature of John Boehner\u2014and then I suddenly remembered that Levine died (as far as I could remember) some time in the past five years. The Boehner drawing is by somebody named &#8220;Sparks&#8221; who was obviously chosen as a successor (in the classic Renaissance Guild method) since he or she can reproduce the famous Levine Rapidiograph-heavy style.<\/p>\n<p>But I was curious about Levine&#8217;s death, so I looked him up on Wikipedia and found the usual wealth of information, including the fact that Jules Feiffer called him &#8220;the greatest caricaturist of the last half of the 20th Century.&#8221; (Feiffer may be too much of a snob to consider Mort Drucker.) Then, after a rundown of Levine&#8217;s artistic accomplishments and accolades, there are a series of quotations about him. <i>Vanity Fair<\/i> says:<\/p>\n<blockquote><p>&#8220;Levine put together a facebook of human history &#8230; the durability of those Levine depicted, plus the unique insight with which he drew them, guarantees the immortality of his works.&#8221;<\/p><\/blockquote>\n<p>Then the <i>Times<\/i> weighs in:<\/p>\n<blockquote><p><i>The New York Times<\/i> described Levine&#8217;s illustrations as &#8220;macro-headed, somberly expressive, astringently probing and hardly ever flattering caricatures of intellectuals and athletes, politicians and potentates&#8221; that were &#8220;heavy in shadows cast by outsize noses on enormous, eccentrically shaped heads, and replete with exaggeratedly bad haircuts, 5 o\u2019clock shadows, ill-conceived mustaches and other grooming foibles &#8230; to make the famous seem peculiar-looking in order to take them down a peg&#8221;. The paper commented: &#8220;His work was not only witty but serious, not only biting but deeply informed, and artful in a painterly sense as well as a literate one.&#8221;<\/p><\/blockquote>\n<p>And, finally, John Updike:<\/p>\n<blockquote><p>&#8220;Besides offering us the delight of recognition, his drawings comfort us, in an exacerbated and potentially desperate age, with the sense of a watching presence, an eye informed by an intelligence that has not panicked, a comic art ready to encapsulate the latest apparitions of publicity as well as those historical devils who haunt our unease. Levine is one of America&#8217;s assets. In a confusing time, he bears witness. In a shoddy time, he does good work.&#8221;<\/p><\/blockquote>\n<p>I mean, I ask you. Every Updike utterance (with the sole exception of his <i>New Yorker<\/i> art criticism, which was uncharacteristically restrained, like Cary Grant&#8217;s performance in <i>Notorious<\/i>) just drips with this predictable, overcooked lack of form and weakness of content. Updike&#8217;s writing is like a master-class in how not to do it: here, in 77 words, is the world&#8217;s most mundane point combined with an ignorant observation and delivered with that particular Updike combination of archness and feigned self-abnegation. (In other words, the issue isn&#8217;t really Levine; it&#8217;s the urgency of Updike&#8217;s dual self-description as both charmingly &#8220;confused&#8221; by his time and yet critically aware enough of its &#8220;shoddy&#8221; qualities to discern and admire the yeoman&#8217;s job Levine does.) Look at the other two quotes: they&#8217;re short, and they make <i>sense<\/i>. Updike takes twice as long to say less than half as much, if that. Who&#8217;s &#8220;panicking&#8221;? Why do Levine&#8217;s portraits of Martin Luther or William Blake have anything to do with &#8220;unease&#8221; or &#8220;haunting&#8221;? How is ours an &#8220;exacerbated&#8221; age? What the hell is he talking about, anyway?<\/p>\n<p>I give the man credit for the stylistic advances of <i>Rabbit Run<\/i> (although he went back to that well <i>way<\/i> too many times). But everything he writes has this same leaden, circuitous quality. I&#8217;d love to be proven wrong (some people swear by <i>The Centaur<\/i>) but I&#8217;m not holding my breath.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reading Michael Tomasky&#8217;s new piece on Obama in the February 7 New York Review of Books, I noticed what I assumed to be a particularly good David Levine caricature of John Boehner\u2014and then I suddenly remembered that Levine died (as far as I could remember) some time in the past five years. The Boehner drawing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-42424","post","type-post","status-publish","format-standard","hentry","category-writing"],"_links":{"self":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts\/42424"}],"collection":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/comments?post=42424"}],"version-history":[{"count":12,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts\/42424\/revisions"}],"predecessor-version":[{"id":42436,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts\/42424\/revisions\/42436"}],"wp:attachment":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/media?parent=42424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/categories?post=42424"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/tags?post=42424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}