
{"id":41918,"date":"2012-04-11T16:18:21","date_gmt":"2012-04-11T16:18:21","guid":{"rendered":"http:\/\/www.jordanorlando.com\/ns\/?p=41918"},"modified":"2012-04-11T20:07:41","modified_gmt":"2012-04-11T20:07:41","slug":"movie-trailers","status":"publish","type":"post","link":"http:\/\/www.jordanorlando.com\/ns\/movie-trailers\/","title":{"rendered":"Movie trailers"},"content":{"rendered":"<p><a href=\"http:\/\/www.jordanorlando.com\/ns\/wp-content\/uploads\/2012\/04\/riggs_trailer.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.jordanorlando.com\/ns\/wp-content\/uploads\/2012\/04\/riggs_trailer.jpg\" alt=\"\" title=\"riggs_trailer\" width=\"447\" height=\"249\" class=\"alignnone size-full wp-image-41919\" srcset=\"http:\/\/www.jordanorlando.com\/ns\/wp-content\/uploads\/2012\/04\/riggs_trailer.jpg 447w, http:\/\/www.jordanorlando.com\/ns\/wp-content\/uploads\/2012\/04\/riggs_trailer-300x167.jpg 300w\" sizes=\"(max-width: 447px) 100vw, 447px\" \/><\/a><\/p>\n<p>Not &#8220;trailers&#8221; as in &#8220;Coming Attractions&#8221; (or, the three-minute-no-second ads for movies that are a burgeoning art form in themselves) (I <a href=\"http:\/\/www.youtube.com\/watch?v=UbmXdoFIueM&#038;context=C4364a4aADvjVQa1PpcFPT2kWJ_pJEcBu0sBYsxWQA3K7_Gz4VqR0=\">made one myself<\/a> for my favorite movie). I&#8217;m talking about actual <i>trailers<\/i>, or &#8220;mobile homes&#8221; or &#8220;ten-wides&#8221; or &#8220;single-wides&#8221; depending on what sort of construction or zoning nomenclature you&#8217;re using.<\/p>\n<p>Would you ever want to live in a trailer? Okay, <i>no,<\/i> would be the immediate, obvious answer, unless you had to. But a surprising, statistically-disproportionate number of movie characters do exactly that, and they&#8217;re not necessarily characters who are down on their luck. Martin Riggs (Mel Gibson) not only cheerfully abides in what appears to be a standard ten-wide (above) in both <i>Lethal Weapon<\/i> and <i>Lethal Weapon 2<\/i> (wherein it&#8217;s destroyed by machine gun fire from a helicopter) but genuinely enjoys it (&#8220;I <i>like<\/i> living the way I live!&#8221;), even managing to bring ersatz-South-African hottie Patsy Kensit there for the kind of Olympian first-date sex marathon that occurs so often in &#8216;Eighties movies. Bud (Michael Madsen), Bill&#8217;s beloved (and doomed) brother in Tarantino&#8217;s operatic <i>Kill Bill<\/i> saga, occupies a trailer that&#8217;s somehow even more majestic and romantic (especially as photographed by Robert Richardson); Uma Thurman and Daryl Hannah engage in the epic&#8217;s fiercest battle (which is saying a great deal) within its twelve-foot-wide, flakeboard-paneled, shag-carpeted confines.<\/p>\n<p>Natalie Portman&#8217;s also a trailer-dweller in <i>Thor<\/i> (the thunder-god&#8217;s appearance there embarasses her far more than is warranted; after Asgard, all mortal dwellings must look about the same). David Lynch created a spellbinding neo-Lovecraftian surrealist tableau (&#8220;LET&#8217;S ROCK&#8221; painted in soap on a Chrysler windshield) within a twilit trailer park in his underrated <i>Twin Peaks Fire Walk With Me<\/i> (Harry Dean Stanton was the memorable custodian for whom the murders meant &#8220;just more shit I&#8217;ve got to do&#8221;). I think I remember Sam Shepard bringing the drama within the laminated walls of trailers more than once, and I think Jodie Foster&#8217;s Oscar\u2122-winning turn in <i>The Accused<\/i> had her talking across her trailer&#8217;s formica table. Mickey Rourke&#8217;s home in <i>The Wrestler<\/i> is the only recent movie trailer I can think of that&#8217;s meant to convey pure pathos and defeat, unleavened by iconoclasm, hope or Robert Ventura-style &#8220;tin pan alley&#8221; tinsel-romance. I&#8217;d be happy to be reminded of other movie trailers I&#8217;m forgetting.<\/p>\n<p>The Wikipedia &#8220;trailer-park&#8221; entry is heavily politicized: obviously the demographic referred to as &#8220;trailer trash&#8221;\u2014the 6.8 million Americans (2.1% of the population; nearly as many as occupy all five New York City boroughs) who live in &#8220;mobile homes&#8221;\u2014does not appreciate the appellation and are, like Orwell&#8217;s London &#8220;proles,&#8221; on the correct side of the economic battle lines; they are warriors in our army and no other (unless one counts &#8220;God&#8217;s army,&#8221; which, unfortunately, one must). The life lived within pre-painted aluminum panels atop a cast-concrete frame, suspended over the ghosts of automotive axles, is obviously as rich and deep an American odyssey as any other. I don&#8217;t think I&#8217;ve ever even seen the inside of a classic trailer home; my insular ignorance needs to be corrected.<\/p>\n<p><b>ON EDIT:<\/b> I forgot all the trailer sequences in <i>No Country For Old Men<\/i> (photographed with burnished Fredrick Remington Chiaroscuro by Roger Deakins). I&#8217;m not counting the &#8220;industrial&#8221; trailer complex where Joe Pesci and Sharon Stone seal their fates in <i>Casino.<\/i><\/p>\n<p><b>ON EDIT II:<\/b> Of course <i>all<\/i> movie stars, regardless of the tax bracket their characters occupy, rightly regard <i>their own on-set trailers<\/i> as the most coveted, jealously-guarded, envied, irreproducible real estate around; the irony was not lost on me when I made this post. You&#8217;ve got to be an internationally-famous multimillionaire to bed down in one of <i>those<\/i> ten-wides.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not &#8220;trailers&#8221; as in &#8220;Coming Attractions&#8221; (or, the three-minute-no-second ads for movies that are a burgeoning art form in themselves) (I made one myself for my favorite movie). I&#8217;m talking about actual trailers, or &#8220;mobile homes&#8221; or &#8220;ten-wides&#8221; or &#8220;single-wides&#8221; depending on what sort of construction or zoning nomenclature you&#8217;re using. Would you ever want [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":41919,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,34,33],"tags":[],"class_list":["post-41918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-politics","category-writing"],"_links":{"self":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts\/41918"}],"collection":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/comments?post=41918"}],"version-history":[{"count":26,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts\/41918\/revisions"}],"predecessor-version":[{"id":41945,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/posts\/41918\/revisions\/41945"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/media\/41919"}],"wp:attachment":[{"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/media?parent=41918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/categories?post=41918"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jordanorlando.com\/ns\/wp-json\/wp\/v2\/tags?post=41918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}